Sunday, April 18, 2010

Mole Creek Autumn

This year autumn has been particularly mellow and fruitful at Onemilebridge.

There are fungi everywhere you look. Some are clearly poisonous, some we're not sure about and others I've already turned into soup and pizza topping.

We went shopping for a new ram to service our Border Leicester ladies, though he won't go out until next month. We like to lamb in mid to late spring here.

We ate too many matzah balls, Farmdoc made perfect crossless hot cross buns, but somehow I seem to have missed out on easter eggs.


And we took advantage of the pleasant weather to sit outside whenever we could. It won't last much longer. May is usually the cloudiest month of the year here and we'll soon be lighting the heater and rugging up.

Friday, April 16, 2010

Wombat Bonney Again

Bonney may be our first release failure.

She seemed to be settling in. Her droppings were becoming firm and she would come to eat while Farmdoc was in her enclosure, though she stayed well away from him. All looked normal though she did seem to have lost weight.

Then yesterday morning Farmdoc noticed the fur on all of Bonney's legs had come off. We couldn't tell from a distance what exactly was going on and there didn't seem to be any sores, but the telephone consensus was that it was probably caused by stress.


We phoned her carers and they came this morning to pick her up. They'll bathe her, examine her legs to see if she needs any treatment, and keep her while she settles down again.



All this must have been very stressful and upsetting for Bonney. I hope now she can regain some confidence and health, and perhaps in a few weeks she'll be ready to try again. Maybe when she's a little older she'll be more eager to leave home and face the world.

Meanwhile we're sorry to see her go, and we wish her well.

Sunday, April 11, 2010

Rich and Famous

Two lovely book related things happened to me last week.

One was the arrival of my first royalty statement and cheque. In its first three months out in the world Alzheimer's: a Love Story had already sold enough copies to pay back my advance, with some left over for a payment.

To tell you the truth, I was so excited that I danced around the kitchen, singing, 'I'm in the money...' and then I tripped over the wood box, breaking a dish, bruising my knee and cutting my finger as I went down. Oh dear. What's that they say about pride going before a fall? Still, it didn't spoil the moment.

Not that it was such a huge cheque, but I'm thrilled the book is repaying my publisher's belief in it. When Scribe accepted my manuscript I hadn't even finished writing the first draft. In fact I was less than halfway through and some of the writing was still quite raw. It was a gamble really that I would be even able to finish it.


The second exciting thing was a full page interview of Dad and me by Bernadette Clohesy in Saturday morning's Melbourne Age.


I love that section, '2 of Us'. And apparently so do a lot of other people. I've heard it's the most read section of the Saturday paper. And there we are, Dad and I, smiling away at the readers. My mum would have been so proud. My lovely daughter Meg has put the article in the media section of my website if you want to read it.

I've had lots of exciting milestones along the way with the publication of this book. Receiving the advance reading copies was a highlight. And now I've begun making speeches, which I find I'm really enjoying. I'll be speaking on a panel at Katoomba as part of the Sydney Writers' Festival next month. That'll be another first. The session's called Stories and Secrets and I'll blog about it again closer to the time. I'm appearing with David Carlin, another Scribe author. Some of my appearances are listed on my website in the events section.

Monday, April 5, 2010

Welcome Wombat Bonney

This morning Bonney arrived for her stay in the Wombat Hilton. She is the thirteenth wombat and ninth female to stay in our pen while being prepared for release on our land.

Arrival of a new wombat is always a poignant moment. It's hard for the carers to farewell an animal they have lovingly reared from infancy and whom they have come to know well. When they go home they will be surrounded by reminders of the animal who has shared their home, and whom they will never see again.


Like all the wombats that are brought to Onemilebridge for release, Bonney was rescued after the death of her mother and raised by human carers who bottle fed, bathed and nurtured her.

These carers were available day and night to ensure her survival, and the bond between wombat and foster parent is very strong. Bonney has clearly been well loved and cared for. Wombats raised with kindness by humans repay the affection.


When we put Bonney into the pen that will be her temporary home (otherwise known as the Wombat Hilton) she immediately set off to explore. She ran down the two burrows that her predecessors have dug, she jogged in and out of the various shelters, and she sniffed at the pyjamas that accompanied her and that are now in the kennel in the pen to provide a familiar scent and reminder of home. She stopped briefly at the bowl of oats we put out for her but she was too excited to eat any.


We as releasers have a specific task. We have to undo some of the human-dependent habits the wombats have developed and prepare them for life in the wild.

As long as Bonney remains in the pen we won't interact directly with her at all, though we will observe her closely, feed and water her daily, and collect her droppings. In the beginning we expect her droppings to be loose because she will be stressed by this separation from what she regards as her home, but after a few days they should begin to be solid again.

When Bonney approaches for a cuddle we will ignore her. She will learn not to expect companionship from humans. We will resist the temptation to enjoy her company ourselves.

It seems apparent that Bonney is a naturally curious and resilient animal. She has already begun to dig and explore. We hope that in a few weeks we will unlatch the hatch in the pen's door and that then Bonney will take her place amongst the wild wombats, hopefully mating and raising a new generation of wombats in this area.

There is already another female wombat on the waiting list for the Wombat Hilton.

Sunday, March 28, 2010

Dearth Hour


I guess observing Earth Hour in Melbourne during the weekend of the Grand Prix must have been a Comedy Festival act.

If so, it was pretty funny: sitting around in the dark with candles, ears ringing from the noise of all that burning fossil fuel.

Hilarious really.

Not.

Thursday, March 25, 2010

Tools of Trade

I wrote this post for Damon Young who is publishing a series about the various tools writers use on his very interesting blog, darkly wise, rudely great. I met Damon when we both read at the Wheeler Centre.


I began writing in school, seduced by my love for reading, by an imagination that was my favourite companion, and also – if I’m entirely truthful – by the reactions of teachers. I wrote serialised stories for my friends, taking the plots in directions my audience liked best – early focus groups, I guess.

There are times these days I am so laden with words that I can haul them in with a clotted biro onto the back of a shopping docket. More often I am reduced to humbling myself, enticing reluctant syllables with whatever it takes to induce the necessary brain state, the way I coax my goats with sycamore leaves and week-old bread. Mugs of tea or coffee, squares of dark chocolate, and almonds that I roast and store in jars in my cupboard, all work. Coffee shops do the job. This black Artline fine tip pen; this journal scribbled in an exercise book small enough to transport in a handbag; poems for inspiration and prompts, or books whose writing sets up in me a buzz that forces me from their pages to my own; music to set the mood and then silence, or else the same track played endlessly on repeat.

Early morning, before the security guard in my head reports for duty, I sit up in bed, hunched over my journal to catch the shape of my thoughts. While the guard snores in his rumpled sheets, his mouth slack, my words fall free of his censorship onto the page; they romp and play forbidden games. Later in the day when he’s at his post, clean shaven and implacable, inspecting each word, I turn to transcribing my work onto my laptop; I edit and revise, saving the next burst of creation until the officer takes a nap.

Composing in a journal is safe – it doesn’t count – it’s just unprocessed ramblings. Nothing to concern the guard. After all, no-one but me will ever see this, I assure him, not meeting his eye. Sometimes he believes me; sometimes he doesn’t.

These are the tools I use: these lies, the alarm clock, the lock on the door, the tea cosy on the teapot, solitude. And the sound of the scratch on the paper as my handwriting emerges from the pen’s tip of its own accord, forming words I hadn’t even known I was thinking, that become sentences, paragraphs, chapters, that take me along for the ride.

Tuesday, March 16, 2010

Reading the Writing

Last night I read extracts from chapter one of Alzheimer's: a Love Story at the third Wheeler Centre Debut Monday. The other three writers on the night were an energetic young philosopher, an American born novelist and a loud performance poet. They were all amazing - talented, polished and confident. Beforehand we hung out in the Green Room, chatting about writing-related topics -such as the fun for young parents of leaving children with grandparents, and how good Russell Crowe's American accent is. (This second issue has puzzled me for some time now: given that we Aussies can pick a fake Australian accent in a second, does Russell Crowe's American accent convince an American? According to the author of Dancing Backwards in High Heels it does.)


I was surprised by how much I enjoyed the evening. Most of my time as a writer is spent refusing invitations. I am desperate for solitude, hate the phone and other interruptions, crave the company of my own thoughts. But last night I loved the performance aspect, hearing the audience react when I hammed up a line or played up the pathos of a situation. And I had a ball afterwards, chatting with my writer friends who'd come to cheer me on.

I'd describe myself as a shyish person, so I was surprised by how much fun I had. And I get to do it all over again tomorrow night at the Sandybeach Centre in Sims Street Sandringham when I'll be delivering a talk about my book. I'm sure I'll be nervous at the time, but right now I'm looking forward to it a lot. Meeting readers and discussing my book with them - what could be nicer!